So, here are some progress shots of the icon I'm painting in my Contemporary Icon class I'm taking this semester. Sadly there is only one class left and I've only begun - I still have to gild and paint the piece. I missed class last week due to a family death and so I missed some crucial work time - I hope to gild the piece this wednesday and gather all the materials I need so I can spend the next few weeks before my review board painting it. The painting shouldn't take too long, as long as I can figure it out without the impeccable guidance of Bob Baart. Not too much detail about the imagery here, more just about the process.
MDF board coated with gesso made in the class. All grounds are made from scratch, except for the bole.
the fresh icon, after 7 coats of gesso but before 5+ hours of sanding
after 5+ hours of sanding, holes drilled, image xerox transferred and gesso relief painted
testing out imagery for the side panels
because so much of the icon is going to be gilded, i had to incise my drawing so
i'd be able to see it while i'm painting - traditional technique
this is a closeup of the gesso relief - these are the spots where
the gold will be burnished (shiny)
the bole (red clay base) that is painted over the ground wherever
gold leaf will be applied. traditional water gilding technique - my
teacher suggests applying 5 or so coats, to enhance the gold's finish.
when you burnish applied gold leaf, you're really burnishing the red clay
below the leaf - that's what shines, and it shows through the incredibly thin leaf.
one coat of bole ontop of gesso relief - you can see the incising
one coat of bole (on top of the bunnies I decided to use)
full view of 1 coat of bole
awesome side view
4 coats of bole
full look at 4 coats of bole - i wish i had realized how much i would have to
gild before i spent so much time preparing and sanding my surface. oh well, next time.